FREQUENTLY ASKED QUESTIONS

Straight answers to the questions people ask before booking a portrait session

Booking a portrait session can feel more personal than people expect. These are the questions I’m most often asked by people deciding whether this kind of work, and this way of working, is right for them.

  • Anyone who wants a portrait that actually looks like them — not a polished, generic version of themselves, but the real thing. In practice that means actors who need headshots with genuine range, authors and creatives who want an image as considered as their work, executives and entrepreneurs who need their visual presence to match their professional standing, and musicians who need imagery that does justice to their sound. What my clients tend to have in common isn't their industry — it's that they've looked at their existing photos and thought: that's not quite it - I want something… more!

  • Editorial portraits, actor headshots, business and executive headshots, musician portraits, personal branding photography, and dating profile portraits. The through-line across all of them is the same: emotionally honest imagery that reveals character rather than simply recording appearance. The style shifts depending on what the portrait is for. The approach doesn't.

  • Most headshot sessions begin when you walk through the door. Mine begin before that — with a curated questionnaire, a conversation to go deeper into your answers, and a mood board I compile based on what I've learned about you. By the time you arrive at the studio, we already know each other. The session itself is freed up to do what it should: create, rather than discover. The result is imagery that feels specific to you rather than interchangeable with anyone else who sat in the same chair.

  • Good. That's exactly where I do my best work. Most people who hate being photographed have had the experience of feeling like a subject rather than a person — put in a pose, told to smile, handed images that don't look like them. That's not how these sessions work. We move at your pace. The direction is conversational rather than instructional. And we don't go looking for the image until the conditions are right for it to appear naturally.

  • Photogenic is a myth — or more accurately, it's a description of how someone photographs under a specific set of conditions that may never have suited you. The right light, the right pace, the right rapport with the person behind the camera: these change everything. I've yet to meet someone who couldn't be photographed well when the session was built around who they actually are rather than what a headshot is supposed to look like.

  • Not at all — that's what the pre-session process is for. The questionnaire and our conversation beforehand are specifically designed to draw out what you want even if you don't have the language for it yet. Come with a sense of how you want to feel in the images. I'll handle the rest.

  • I work from my home studio in the Greater Toronto Area. I'm also happy to photograph you on location when it makes sense for the portrait — at your office, a meaningful space, or somewhere that suits the tone of what we're creating. As long as the space meets basic requirements for size and power, I'm flexible. Travel within reason is always welcome; additional travel costs may apply depending on location.

  • I don't provide these services directly, but I'm always happy to offer guidance ahead of the session — particularly around what tends to photograph well and what suits the tone we're aiming for. If you're considering professional hair and makeup, I'd encourage it: it's one of the most reliable ways to arrive at a session feeling confident, and confidence shows.

  • Absolutely — every final image is hand-retouched by me personally. No outsourcing, no batch processing. I approach each edit with the goal with the goal of presenting you at your best, not as someone who doesn't quite look like you. Minimal skin smoothing, blemish removal, and minor corrections are standard. Significant alterations are not something I offer, because they defeat the purpose of an honest portrait. I will, however, infuse each image with my unique energy and style.

  • No — and this is worth understanding before you book. You'll receive a curated selection of the strongest images from the session, hand-retouched to a finished standard. The unretouched full take is not provided. This is a deliberate part of the process: raw files include misfires, blinks, transitional expressions, and images that are technically fine but don't represent you at your best. What you receive is a considered edit — the images that actually do the job they're supposed to do.

  • Turnaround time depends on the scope of the session and current workload, but most galleries are delivered within 10 business days. If you have a specific deadline — a launch, an event, a submission — let me know when you book and I'll do my best to accommodate it.

  • Yes. A non-refundable retainer of 25% is required at the time of booking to secure your session date, with the remaining balance due on the day of the session.

    In cases involving genuine extenuating circumstances, I'm always open to a conversation.

  • It starts with a discovery call — a short, no-pressure conversation where we can talk through what you're looking for, whether my approach is the right fit, and what a session would look like for you specifically. No obligation, no hard sell. If it feels right for both of us, we go from there.